The Gauls Warfare Depiction in Art during the Hellenistic Era & Their Influence on Founding Today's France

نوع المستند : المقالة الأصلية

المؤلف

PhD holder, Greco-Roman Archaeology, Faculty of Arts, Alexandria University, Egypt کلية الآداب، الآثار اليونانية الرومانية، جامعة الإسکندرية، مصر

المستخلص

The article analyses the reflection of Attalus' important victories over the Galatians in Art till the last king of Pergamon, Attalus III, left his kingdom to Rome in 133 B.C and the influence the contemporary art pieces depicting these wars on religion and politics. Most scientific papers and specialized textbooks have limited the examination of those pieces exclusively to their aesthetic influence regarding the feelings and emotions the statues portray or as historical records of Atallus' war victories during the Hellenistic period. None of them have examined the political and historical consequences resulting from the creation of these artifacts across a prolonged timeline; from the Hellenistic period and passing through the Roman era up till today, away from their original purpose, and towards quite different ones that occurred due their creation and perception.  
:يحلل هذا المقال آثار انتصارات أتالوس على الغاليين في الفن وصولا إلى توريث برجامة للرومان، ومدى تأثير تلک القطع الفنية في إعادة صياغة التاريخ عقب العصر الهِلِّينستى وصولًا للعصر الحديث، فکان لها کبير الأثر في کتابة التاريخ الحديث ونشأة بلد قوية کفرنسا.
 اقتصرت معظم الکتب العلمية والدراسات البحثية على دراسة تلک الاعمال الفنية من الجانب الفني فقط دون التطرق إلى تأثيرها السياسي والتاريخي في العصور التالية لتلک الأعمال الفنية على المدى الطويل وصولًا إلى العصر الحديث. وتغيَّر الهدف الأساسي الذي اُنشأت من أجله، والذي ساهم بدوره في تغير الفکر والنظرة الموجهة لهؤلاء الجنود الأقوياء، على الرغم من إنهزامهم فى تلک الحروب وتسليط الضوء عليهم لخدمة أغراض وتَوَسُّعات سياسية أخرى.

الكلمات الرئيسية


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