أولًا: المراجع العربية
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āmyn slāmẗ, mʿǧm āʿlām ālāsṭyr ālywnānyẗ w ālrwmānyẗ, ālqāhrẗ: dār ālmʿārf, bdwn tāryẖ
ثروت عكاشة، الفن الروماني، المجلد الثاني التصوير، الجزء العاشر، القاهرة: الهيئة المصرية العامة للكتاب، 1992.
ṯrwt ʿkāšẗ, ālfn ālrwmāny, ālmǧld ālṯāny: āltṣwyr, ālǧzʾ ālʿšr, ālqāhrẗ: ālhyʾ ālmṣryẗ ālʿāmẗ llktāb, 1992
خالد فاروق، "دراسة تحليلية للعصا كمنتج"، مجلة العمارة والفنون، العدد الثامن، (2017).
ẖāld fārwq, drāsẗ tḥlylyẗ llġṣā kmntǧ, mǧlẗ ālʿmārẗ w ālfnwn, ālʿdd āl ṯāmn, 2017.
صلاح رشيد الصالحي، "الأصل الرافدي للعصا كالموش الحثية"، مجلة التراث العلمي العربي، العدد الأول، 2015.
ṣlāḥ ršyd ālṣālḥy, ālāṣl ālrāfdy llʿṣā kāmwš ālḥyṯyẗ, mǧlẗ ālṯrāṯ ālʿlmy ālʿrby, ālʿdd ālāwl, 2015.
منى حجاج، أساطير الإغريق ابتداع وإبداع، الإسكندرية: كلمة للنشر والتوزيع،2004.
mny ḥǧāǧā, āsāṭyr ālġġryq ābtdāʿ w ābdāʿ، ālskndryẗ: klmẗ llnšr wāltwzyʿ, 2004.
ثانيًا: المراجع الأجنبية
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ثالثًا: أطروحات الماجستير والدكتوراه
رانيا أحمد عبدالقادر، أقنعة المسرح في مصر خلال العصرين اليوناني والروماني، رسالة ماجستير غير منشورة، كلية الآداب، جامعة عين شمس،2019.
rānyā āḥmd ʿbdālqādr, āqnʿẗ ālmsrḥ fy mṣr ẖlāl ālʿṣryn ālywnāny wālrwmny, rsālẗ māǧstyr ġyr mnšwr, klyẗ ālādāb ǧāmʿẗ ʿyn šms, 2019.
رابعًا: مواقع الإنترنت
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